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The next time you look up the word persistence, Misa Ramirez’s name should be listed in the definition. If you’re complaining about having to do a third draft, pay attention to what happens when you’re willing to do six years worth of rewriting.

Please welcome, Misa Ramirez and her tough-talking and tough-walking heroine, Lola!

Chica Lit: What inspired the idea for Living La Vida Lola and how long did it go from manuscript to published novel?

Misa: It has taken six years, three agents, and about 1,000 revisions to bring the book to publication, but it made it, and Lola’s here to stay!

I started writing it right after I had my fifth (and last) baby. We had just moved to the Sacramento area, I wasn’t teaching at the time, my husband was in a wheelchair from an Achilles Tendon injury, and I HAD to get out of the house! I started going to a local coffee shop with a friend and we’d do little writing prompts. During one of them, Lola came to me as a character. The more prompts we did, the more Lola and her family and background developed.

She came to me as a Latina, I think, because I wanted to write about someone like my own children. Someone who straddled the lines of being American, but who embodied and embraced her family’s culture at the same time. I want her to find her balance, her identity, and her true self over the course of the series. No small order for anyone!

And then there’s the romance element. Love makes it all worthwhile and I wanted Lola to find love. Or at least the hope of love. =)

Chica Lit: Did Lola pop out of your head complete, or did it take time for her to develop into a full-fledged character?

Misa: I knew immediately that Lola would be a PI since I wanted the book to be a mystery. And I knew that I wanted her family to be a big and important part of her life. I wanted to delve into the interpersonal relationships that might exist in a traditional Mexican family (like my husband’s) if one of the daughters wanted to be a private investigator and buck the expectations her parents had for her.

It took a long time for Lola to fully develop, but now that she has, I love her! She’s got her principles and morals and her goals. She’s a black belt in kung fun, loves yoga, and won’t let anything get in her way. But she’s got weaknesses, too. She’s soft and feminine, but tough. She describes herself as Xena, Warrior Princess, with an occasional Cinderella moment thrown in.

Chica Lit: How much research went into your book?

Misa: About 18 years worth!!!! All the time I’ve been married to my husband–observing, being part of, loving, and absorbing his culture. My biggest goal in writing Lola was to make her an authentic person. I never want to misrepresent myself as a Latina, and I always want to be true to the beauty of the culture and all that means based on my experiences as the wife of a Mexican American man. So, lots of research, but just from living!

The mystery details of the book did require researching the process of becoming a PI, what the rules are, details about tattoos, particularly self-done tattoos, visiting the state Capitol and getting a private tour by my brother-in-law who works under the Treasurer. Things like that. All of it has been pretty fun.

Chica Lit: Do you like being a writer? What do you NOT like about being a writer?

Misa: I love being a writer, especially now that I’m not teaching anymore. I have dedicated time to write and it doesn’t encroach on time with my kids. At least not as much! I love that my kids, husband, and parents are so proud of me. I love that I’ve modeled the hard work and determination to pursue a dream, and I’ve reached my goal. I think that’s invaluable.

Things I don’t like about being a writer? Hmm. Probably the nervousness that I’m feeling over doing book signings! Writing is so solitary, and you live in your imagination so much, that to go out and speak about your books is daunting!

Chica Lit: When do we get the next Lola adventure?

Misa: The next book, tentatively titled Dead Girl Walking will be out a year from now. After that will be Bare Naked Ladies, the third book in the series. In it, Lola’s case takes her to a nudist resort. Yikes! I’ll tell you about the research for that one another time!

Get your copy of Misa Ramirez’s book at your favorite independent, or at my store!

Photo by Brandon Showers

She lives on a quiet street in one of those indefinable parts of L.A., wedged between Hollywood and Silverlake. It took me two tries to find the address she’d texted me and just like a man, I was forced to call for directions. On the phone, La Cholita spoke with a youthful enthusiasm – not with an Eartha Kitt growl or a Mae West purr that one might expect upon seeing her photos.

When Cholita opened her front door, I was surprised to see that she wasn’t much taller than me. “You’re so tiny,” I couldn’t help but exclaim. She threw open her arms and she gave me a tight hug as if we were best friends who hadn’t seen each other since high school. She laughed. “I know. Everyone says that.”

La Cholita is not her creator, nor is she exactly an alter ego. (She also asked me not to use her real name to preserve her mystique and no, I didn’t make her up.) Cholita is an extension if you will, of the 25 year-old Latina who grew up in Highland Park watching musicals from the 1930s and 40’s. As we talked in her hot pink living room, I saw glimpses of the platinum blonde vamp in the happy, energetic woman with freckles under her make-up. It’s hard and yet, wasn’t hard to imagine her wowing audiences in a sparkling costume and leaving them wearing a g-string and pasties. But I got to know the the phenomenon known as La Cholita.

All I Need Is The Girl
Photo by Mr.40 Chev
Six years ago, after her mom took her to a burlesque convention, La Cholita burst onto the L.A. scene as the first and only Latina dancer.

“I had a really hard time finding my way in,” she said. “It was like this secret society and when I’d ask friends who were doing it, they were very hush hush about how to get started.”

At that convention, she was dazzled by the burlesque queens, some who were still flashing their goods like they had when we were fighting the Nazis. Cholita’s only disappointment was that there were no Latinas.

“It seemed ridiculous to me because Latinas are the most sensual and passionate women in the world but we are also kind of conditioned to keep it all under wraps,” she said. “My disappointment quickly turned to enlightenment when I realized that’s it! This is what I am meant to do! All of those years singing, dancing and dressing up as a young girl was all in preparation for my ultimate calling: Burlesque Starlet.”

Cholita signed up for a burlesque class that again didn’t throw open the doors. But it did crack them open a little. All the students would have their chance to dance on-stage at The Derby in the retro-cool neighborhood of Los Feliz. Cholita realized everything was up to her – the choreography, costume and music – for her to stand-out among the veterans and new girls before a demanding audience.

“When my heel hit the stage, I knew it was right,” she said. “I couldn’t do anything else.”

The audience loved her and La Cholita, the burlesque starlet was born.

You Gotta Get A Gimmick
Photo by Mr.40 Chev
La Cholita made her official debut as a Lowrider Loca wearing her name crystallized in Old English across her corset. She’s appeared with a Dia de Los Muertos calavera mask painted on half her face, as an Aztec goddess and in a folklorico dress from Chiapas. (My favorite are her beaded pasties of the Mexican flag.) At the end of each number, she throws up an East L.A. sign – her signature move – and has a loyal following of couples, Latinas and cholos and old pachucos who love her for representing la raza.

But burlesque, with its roots in old school Hollywood glamor – many of the women boast looks clearly inspired by Rita Hayworth, Marilyn Monroe and Jean Harlow – cast La Cholita as one of the bad girls.

“Some of the other dancers told me that my image wasn’t sexy, that the street element was too tough and my energy was too intense,” she remembers. “At first I felt bad but then I remembered that the reason I started was because I wanted to be different, I wanted girls to feel inspired, I wanted to represent a strong Latina and show that our curves are something to be proud of, that our culture is something to be proud of.”

Since then La Cholita has performed around the world, winning the coveted Miss Viva Las Vegas title in 2007 and appearing on Carson Kressley’s “How to Look Good Naked”, Telemundo and Eyewitness News. She’s danced for corporate clients Hornitos, Christina Aguilera and European surgeons. She now models for ChicanaWear Clothing, La Pachuca, Secrets in Lace, Stop Staring, Dainty Dames, Ignition, and My Lucky Girls Creations.

“I knew girls who gave up because they couldn’t make ends meet,” she said. “There were times when I was almost evicted and lost my power or water and had to hide my car from being repossessed. But I wouldn’t give up.”

Little Lamb
Photo by Mr.40 Chev
“I’ve always been an outsider,” Cholita said. “My childhood wasn’t all rainbows and lollipops.”

When she was grew up with her single, artist mom in Highland Park. She wasn’t brown enough for the chicano kids in her neighborhood, nor could she relate to the privileged kids in the private prep schools her mom enrolled her in. She didn’t form a relationship with her father until she was fourteen and he was dying of cancer.

“I was really awkward and I’d come home crying that I hated my chubby legs, curly hair and freckles and that I hated my mom for giving them to me.”

Cholita escaped her self-loathing through dance and acting lessons her mom scrapped to provide, and through the glamor of old movies. And yet, she was fascinated by the cholas she’d see hanging in her neighborhood and at the car shows where her uncles would proudly show off their lowriders.

“I remember seeing cholas on the street corners with their crazy nails and their hair teased and just that opulent, over-the-top look,” she said. “And yet, they were tough.”

Her grandfather, a zoot suiter from the ’40s, also had an influence on her developing style. “He’d tell me all kinds of stories probably because I was the only person who listened to him. He used to tell me you could get into a fight or kill a man but you looked good doing it.”

She laughed and shook her head. “He always said in his day you had to represent.” She then mimicked him. “Cholos nowadays, they don’t got no style. In my day, I’d fuck a man up and still had a crease in my pants.”

He passed away last November and Cholita occasionally had to buck up when she talked of him.

“My biggest validation was when he came to my shows,” she said. “He really said he loved it.”

Some People
Photo by Mr.40 Chev
La Cholita not only dresses the part of the “fuck-you-up” chola, she also lived the life. In high school, she began running with gangsters and dabbling in drugs. When she started to see her friends getting shot and dying, she knew she had to get out of the life if she wanted to live.

“I weighed 98 pounds and when I look at my high school prom pictures-” She sucked in her breath. “I was barely there.”

Her mother taking her to the burlesque convention seemed to have opened an escape hatch.

“I was a 180 pounds when I started [dancing] and I’ve never felt more secure and more empowered.” Even though she’s getting naked before strangers on bars and theatre stages, the burlesque style of stripping is all on the dancer’s terms.

“I decide what people see and what they don’t,” she said. “What I thought was my flaws are what make me stand out.”

Ironically, corsets and fishnets are in her blood. Her grandmother on her father’s side was once a burlesque dancer.

“When [that side of the family] found out what I was doing, they-” she makes a slicing motion through the air. “They cut me off.”

Let Me Entertain You
Photo from Miss Viva Las Vegas Competition 2007
La Cholita’s L.A. appearances are family affairs with her mom, tios, tias, cousins and friends cheering her on. She’s backed by her own band and her fans come dressed to the nines to see her. Men treat her like a lady when they approach her after her performances. “I’ve never been treated more respectfully than ever in my life,” she says.

She has driven audiences into ecstasy just by taking off a glove. At a performance at the Hard Rock Hotel in Las Vegas, she sent an elderly man to the hospital. Her friend once told her that she’s a force on stage.

“Every single time I’m standing in the wings, I’m nervous. I can barely hold it in. It’s like I’m being electrocuted in the inside,” she said.

As Cholita she doesn’t feel intimidated about anything. She can approach a cute guy and ask him out. The second her music comes on and she steps out under the lights, something takes over her. She doesn’t think about the moves. She gets off on the energy, feeding it and feeding off of it. She loves that she never knows what’s going to happen and that no number is ever the same as the last.

But in more intimate situations, when she’s with a guy, she admits, “I’m thinking, ‘oh now I have to take off my bra’ … ‘is the light hiding my cellulite from him?'” We laughed; I’m relieved that I have the same hang-ups as a woman who seduces audiences for a living.

“I’m more vulnerable as myself,” she said.

La Cholita sees no limit to the possibilities. She sees designing a line of clothing, creating her own one-woman show and modeling. Her dream is to dance in Paris and tour Mexico, especially to perform on the stage of the Juarez theatre in Guanajuato, where she visited with her grandfather.

“I’m not ready for that,” she said, pausing to think about returning to that theatre without him. “I am following my dreams, making things happen and representing where I’ve come from. I am very lucky and ever so grateful to have the support of mi familia.”

To see the complete gallery of La Cholita’s photos, her schedule of performances and more, visit her at VivaCholita.

Contest!
Sherri won Berta Platas’ drawing from yesterday’s blog … hurray!

The winner of my contest is Teresa Carbajal Ravet! Thanks EVERYONE for reading and getting to know La Cholita!

Some of you know that I did NaNoMo last month to finish my latest WIP. About three days into it I discovered Christine Fletcher’s novel, Ten Cents A Dance. Upon reading the excerpt on her website, I had to have it. But my rule when writing, especially a first draft, is that I don’t get to read novels. I made her book my reward when I reached “the end.”

It’s not a great way to live but now you know why I write my books so quickly.

As soon as it arrived, I tore into it and rarely came up for air … except when the Little Dude ate crap from falling out of his wagon. Anyway, we’ve all used the saying, “a guilty pleasure” and I’ve resolved to abolish it from my lexicon because pleasure and rewards after a hard day’s work shouldn’t inspire guilt. A pleasure such as Christine’s novel makes me remember what its like to be a reader again and why I got into this business in the first place.

So I was stoked when she agreed to my crazed fan email/interview request. Please welcome Christine Fletcher!

Chica Lit: As writers we always have a particular idea that simmers in our heads. Ten Cents A Dance was inspired by the story of your great aunt. How long had you had the idea for a story about taxi dancers and when/how did it come to life?

Christine: Five or six years ago, I had the idea to write a novel based on my great-aunt’s life. They say every writer has a half-finished novel abandoned in a drawer, and that one is mine. I just couldn’t make it work. But while trying to write that book, I did some research on taxi dancers. I was fascinated to learn that many of the younger dancers kept their jobs a secret while living with their families. I kept wondering: how would a teenaged girl get away with that? And for how long? Once I made those questions the focus for a novel, the writing really took off.

Chica Lit: Ruby is one of those characters who truly felt alive as I read her story. Did she shock and surprise you during the writing of the story and do you think you’ll continue her story?

Christine: Ruby constantly surprised me during the writing of the book. I remember vividly one scene which played itself out in my head–it was almost like watching a movie, and I was typing madly, trying to keep up with the action–when suddenly Ruby did something so completely unexpected that I actually said out loud, “Oh no, you did not!” It was a perfect Ruby move, but when I sat down to write the scene, I had no idea she would do that! Moments like that made her an enormously fun character to hang out with.

At the moment, I’m working on another historical novel with different characters. But Ruby is near and dear to my heart, and I may take up her story again at some point.

Chica Lit: Did you research before writing the book, or during and in between revisions?

Christine: All of the above! As I mentioned earlier, I’d done some research on taxi dancers beforehand. But most of the research happened during the writing. I would get to a certain point and then I’d have to find out what a black-and-tan club might have looked like. Or which radio shows were popular in 1942. So the writing directed the research to a large extent…although occasionally, it happened the other way around. That was how the policy kings ended up in the book. I was looking for information on urban crime in the 1940s and came across a reference to this enormous gambling empire in Chicago. It not only filled a niche in the story perfectly, it eventually provided material for an entire subplot.

The danger with research, at least for me, is that it’s easy to start obsessing. At one point I was driving myself crazy trying to find out if chicken was expensive during the war. Some references said yes, others said no. My older relatives either couldn’t agree or couldn’t remember (yes, I was even asking family members!) I finally came to my senses and realized the price of chicken in 1942 was not going to make or break the book. So I cut out that detail and immediately felt my sanity returning.

Chica Lit: The relationship between Paulie and Ruby is fascinating and yet, as an adult woman, made me cringe because I knew the games he was playing with her. How did Paulie’s character evolve and what do you hope readers will take away from Ruby’s experience with him?

Christine: Most of us are familiar with the guy who thinks he’s smarter and tougher than anybody else around. From the beginning, I knew Paulie was that guy. And I knew Ruby would fall for him, because I’ve been that girl. It’s the age-old question: Why do girls go for bad boys? People say, “How can she be so blind? Can’t she see how terrible he is for her?” They don’t understand that being with him makes her feel good. Especially at the beginning, in that heady, romantic time. These guys talk a good game, and she feels special because he could have anyone but he chose her. (Of course, the real reason he chose her is because other girls won’t put up with being manipulated and bullied, and she will–but she doesn’t realize that). Ruby is smart and savvy for her age, but Paulie knows just how to play her. I wanted readers to experience what that dynamic feels like from the inside. How easy it is to get caught up, and how hard it is to get out.

Chica Lit: I read that you have a day job as a vet. When do you write? Do you think you’ll write full-time?

Christine: I work part-time two days a week. The other five are for writing (and everything else in life!) I mostly write in the morning (and try to push until mid-afternoon if I can) three to four days a week.

Right now it’s not financially possible for me to write full-time. If it ever does become possible, though, I’m not sure I would. Writing is such an isolating activity. In one sense, that’s not a problem for me, because I’m terribly introverted–I love quiet and solitude. But I’ve found that too much solitude makes me a bit wobbly, as if I’m out of step with the rest of life. My day job keeps me rooted in the real world, and I think ultimately that helps the writing. There’s something tremendously grounding about working with animals. They take life as it comes, for better or worse. I’ve learned more from my patients than I could ever have imagined, and I’m not sure I’d give that up, even if all my books become runaway bestsellers. (Not that I’d complain if that happened, mind you!

Chica Lit: What’s next for you and what was the best book you read in 2008 and why?

Christine: Next up is another historical YA novel set during World War II. I’ve discovered that what I really love is dropping characters into situations way over their heads, then seeing what happens! So I’m doing that again in this book, and I’m having a blast.

The best book I read in 2008…that’s a tough one, because I read several I adored. But I’d have to say the best was A Suitable Boy by Vikram Seth. I read the first three pages in the bookstore and was immediately enthralled. It’s a big, multiple-family epic set in India in the early 1950s. Lata’s family is looking for a “suitable boy” for her to marry…only Lata has ideas of her own, and thereupon hangs the tale! The author carried me through 1400+ pages, four families, a few dozen characters, I don’t know how many plots and subplots…and somehow never confused me or lost my interest. The book made it onto my “desert island” list, and that’s the highest recommendation I can make!

Chica Lit: If you’re behind on your holiday shopping like me, and you have a teen on your list who loves books, you’ll be the coolest aunt/uncle when you give Ten Cents A Dance … even if you’re wearing a dorky reindeer sweater. You can learn more about Christine’s books at her website.

Back when I was in high school, my mom worked with F. Scott Fitzgerald’s niece. When Mrs. Reneau discovered how much I loved her uncle’s books – I carried his collection of short stories in my backpack – she let me read a book she had written about her father, Vice Admiral Clifton Sprague.

What I remember most about her book – other than Mrs. Reneau’s memory of Scotty Fitzgerald and her French nanny coming to the dinner table in evening wear – was the way she referred to her father as “daddy.” It was a little strange because this was a man who was one of the first to open fire on Japanese planes on the morning of December 7, 1941.

(Ironically, the same week Wonder Woman first appeared as a comic strip!)

Anyway, writing about your parents can be tricky business. When I met Gloria DeLa Torre-Wycoff at the California Comadrazo earlier this year and saw the cover of her book, I bought it without hesitation. In Scarred by Scandal, Redeemed by Love, Gloria tells the story of her mother, Maria DeLa Torre, a young woman who grew up in the priveleged household of her uncle and aunt in Mexico City. But her parents who had fled for the U.S. during the Revolution called her back to live with them and Maria entered a different world in the barrio of East Los Angeles circa the 1920’s. At the age of 19, Maria was pregnant by her brother-in-law and then banished from her family.

Even though her love for her mother is apparent, Gloria steps back to show Maria’s strength and weaknesses; her mistakes and her triumphs. It’s an extraordinary book about a single mother who in spite of a life of poverty and humiliation, leaves an enduring legacy of love. Please meet Gloria DeLa Torre-Wycoff.

Chica Lit: When did you start writing this book and why?

Gloria: I actually began writing this memoir in 1997. Although I didn’t consciously realize it at the time, the seed for this book was planted on the day my mother died in October 1993. I had asked my daughters to call family and friends to let them know of her passing, and that we would mail details about the funeral. During the phone calls, one of my daughters came to me upset and frustrated because a family member on my father’s side had reacted sarcastically to the news about my mother and referred to her own mother’s death 60 years earlier. Because of the vulnerable state of our emotions at that moment, my daughter and I agreed to just “let it go” and talk about it another time.

I began writing random notes about my mother which took the form of a poem of sorts about the tender, lonely nurturing of a single mother – lovingly breastfeeding her babes, picturing my mother, alone with her infant. (These writings became the book’s Dedication). I also developed a list of all the places we had lived, beginning in 1927 when Ruben was born, until 1950, when I married. It took quite a while to tie this information together because we had lived in so many places. I wanted this to be as accurate as possible, so I mailed a copy to my brother, Ruben in New York City. He appreciated it, made a few changes and interesting comments. This list served as a guide for me, an outline for writing the book.

In 1997 when my husband and I moved to Orange County, I was planning to retire and decided it was time to write something for my children about my mother – their Nana –and for my grandchildren and great–grandchildren. My intention was to write something to serve as a loving legacy for my family. I would write it, print it out, take it to Kinko’s and have it set in a nice binding. And that was it. But the more I thought about it, and the more I wrote, the more my husband encouraged me to develop it into a book. This is when I realized that it was time to write a book in honor of my mother.

Chica Lit: Would she have approved?

Gloria: I believe she would have approved, or rather, she would have agreed, especially if she could have seen the finished creation. Mama and I had implicit trust in one another. Also, knowing it was written as a loving legacy for her grand-and great-grandchildren, yes, I believe she would have approved. She would have loved the photographs!

Chica Lit: I’m curious … what happened to your father after your marriage? You never mentioned him again after that chapter.

Gloria: The last time I mentioned my father was on page 237 in a discussion with my nephew about my mother being perceived as passive. She was not passive, rather, she was unobtrusive. Back to your question: the last two chapters were devoted primarily to the memory of my mother. Not mentioning Ezequiel was not intentional; he simply no longer played a role in my mother’s life once Ruben and I had married. I stayed in touch with him until he died in 1976. He and his 2nd wife were fond of my children, liked my first husband – no negative vibes…

Chica Lit: How did you mother feel about your father after all was said and done. Did she resent him or did she still love him?

Gloria: She always loved him. I don’t recall being aware of overt resentment from my mother toward my father. Her attitude, her actions told me she accepted her responsibility for her part in their relationship. Although there were times when I did sense her great disappointment, sadness and sorrow where my father was concerned, but she rarely talked about it. She never blamed him for her situation. I’ve conjectured that she may have acted out her resentment when Ezequiel remarried because that was when she began seeing other men.

When he died in 1976, I took her to his funeral in East Los Angeles; she was greeted by some and ignored by others. It’s a vague memory for me. The next day, after I had gone to his burial, I went to see my mother and she had taken out a formal handsome photograph of him and placed it on a shelf in her front room. In later years it “disappeared” otherwise it would have been in my book. To repeat, yes, I believe she still loved him.

Chica Lit: One of the most poignant moments of your book is your mother’s regret over leaving Mexico. How did she not let her regrets get the best of her?

Gloria: Leaving Mexico was a major turning point for her. She was a young 18 and had lived a relatively affluent, albeit lonely lifestyle in Mexico City as a result of living with her aunt and uncle. According to my cousin, when she first came to the U.S., my mother was not happy and hated living in East L.A. Unfortunately, she did not stay in touch with her aunt and uncle ~ probably because of her relationship with Ezequiel.

My mother often reminisced about her early life in Mexico City with some regrets, but she didn’t allow them to consume her or to dwell on them. My mother had an innate ability to adapt to life’s changes even under the harshest of circumstances. One of my reader’s wrote in her Reader’s Review: “…such a profound story of a woman who lived life on life’s terms.” And that’s what she intuitively learned to do at an early age; she learned to accept what life dealt her. She was not without regrets, yet didn’t blame others for her situation. She had moments of depression, sadness, longing – probably for my father to re-enter her life…

Chica Lit: I’ll never forget when you told me that your mother’s story is one of the oldest stories in the book. Why do you think her tale is so prevalent among our mothers and grandmothers’ generations?

Gloria: Two sources have made me aware that my mother’s story was not unique. My first source was the local library when I became curious about the term “illegitimate births.” I could only find census data beginning in 1940, but it was enough to indicate that “births to unmarried mothers” have grown exponentially since then. In 1940 there were 90,000 “Illegitimate Live Births to Unmarried Mothers” and in 2006 there were 1.6 million “Births to Unmarried Mothers.”

The other source has continued to be more personal and anecdotal; it evolves after I do readings and presentations of my book. This is where I hear very moving, touching stories, often from young Latinas/Chicanas who buy my book and tell me tearfully, proudly about their unwed mother’s or grandmother’s who struggled to raise their children; or they tell me about themselves as single, unwed mothers struggling to get through college to make a life for themselves and their children. I’ve also been approached by older women, mostly Mexicanas/Latinas, who have stories about their husbands, grandfathers. In fact, my very special friend/colleague of 20 years, told me (after reading my book) about her father having a relationship with her mother’s (his wife’s) younger sister who had his child. Sound familiar?

Chica Lit: What do you hope the younger generations of Latinas will take away from reading your book?

Gloria: My hope is that they will recognize and take away the experience of the great power of mother love which endures beyond any other love. It is my hope that this book carries a motivational message for Latinas of all ages – unwed mothers in particular – who struggle with family and with bettering their lives. I hope they take away the message of the value of education; the richness of reading; the gift of encouraging young children to read at an early age. As she struggled to learn English, my mother discovered the public library and literally opened the doors to the wonderful world of books for us – her young children. No matter how poor we were, we always had access to library books – and they were free!

My hope for the younger generations of Latinas is that that they recognize that there is no shame in giving birth as an unmarried mother. The shame is when the attitude of others – family in particular – see this chosen birth as shameful act. The shame is also when a child born out of wedlock is treated as “less than” by family members, by the school system, by society.

My greatest hope is that the younger generation of Latinas will ultimately be inspired to make wise choices for herself and for her future.

Chica Lit: To order a copy of this amazing memoir, please visit Gloria’s website.