Entrances

The hardest part of a story to write is the first line. Speaking from my experience as a reader (e.g. what pulls me into a story) and a writer (what has sold my work), a character has to make an entrance. Or, if told in the first person, a statement. I don’t mean just having someone walk through a door, or wake up in bed and most definitely not stare at herself in the mirror over the bathroom sink. Characters arrive. They have a presence that makes you turn to the next page and the next until the end when you (hopefully) wish the book hadn’t ended so soon.

When I think of great entrances, I remember the night I watched The Seven Year Itch on the big screen in downtown LA. When Marilyn’s fan cord stuck in the doorway, three hundred of us gasped in the dark. We held our breath at the palpable energy that radiated from her 50 years after she’d shot that scene.

Right now, or rather right before I began this blog, I arrived at the phase of my WIP when it’s time to write the first line. Some lines appear just like that. Some take a few drafts or they hide from me until I realize that the first 20 pages I wrote don’t belong in the book. The only way I know that I have the first line is when (a) it no longer bugs me in the middle of the night, and (b) when it makes me sit up and shout, “Whoa!”

So here I go into territory unknown and still no first line in sight. But I figure it’ll show up sooner or later.